Reach video production leads while the timing is right.
A bought list of studios tells you who exists, not who has a job to crew this week, so the timing is a guess on every name. Your agent goes by what a studio just did in public: the film it posted, the editor role it opened, the festival that picked it up. You get the founder or executive producer behind that work, with the first message already written about it.
1,000+ teams4.9
Ask for the video production leads you want.
See it work on video production leads.
Find video production studios that posted a finished film or opened an editor role this month.
Found 42 studios that just posted a film or opened a crew role. Added to your contacts, sorted by signal.
Lucas M.Posted a brand film
Elise D.Hiring an editor
Kwame A.Festival selection
Sara L.Posted a crew call
A bought list tells you a studio exists, never when to write to it.
Films posted, crew calls, festival line-ups, comments
One first message, then you are talking to a producer
Nothing leaves your account until you say yes
Each one with a named producer and the reason
Four things you stop doing yourself.
Who is in the market this week
Your agent goes by what a studio just did in public: a film posted, an editor or motion designer role opened, a festival selection announced, a comment left under somebody else's post. Each studio comes back with the founder or executive producer behind the work.
Only the ones worth your time
Say what a good customer looks like once: the formats they shoot, the crew size, the sectors they film for. Studios outside that stop reaching your screen, and each one that stays shows the reason it did.
The first line, already written
Your agent reads the studio first, the profile, the company, the film they posted, the role they are hiring for, then writes from that. Nothing goes out until you have read it and said yes.
Sent at a human pace
Messages go out spread through the day, never in a burst. A new sender starts gently and builds up. If anything looks wrong, it stops and tells you.
Studios publish the work. Your agent reads it the week it lands.
Four moments when a producer writes back.
The film just went live
A studio posts the film the day it ships, and by then the next job is already being crewed. Your agent brings you that post the week it appears, so you are asking about the next shoot while the crew list is still open.
A crew call went out
A studio hiring an editor or a motion designer has more booked than the room can cut. That is a producer looking for help, so your message is a question about capacity rather than a pitch.
A festival slot landed
The week a selection goes up is the one week a producer is glad to hear from a stranger. Name the film and you are somebody who watched it, not a supplier working through a list.
A producer left a question
Someone asking under a post about a camera body or a grading suite is shopping in public. Your agent reads that comment, and your first line answers what they actually asked.
Prefer to work in Claude?
BeReach runs as a connector inside Claude and Claude Cowork. Ask in plain language: it finds the people, tells you which ones are worth your time, and writes the first line. Nothing sends until you say so. See the Claude connector.
Selling to video production studios, answered.
How does BeReach find video production decision-makers?
Your agent reads what studios already put in public: the films they post, the roles they open, the festival line-ups, the comments they leave under other people's posts. Each studio comes back with a named founder or executive producer and a way to reach them.
Why are these studios missing from Apollo or ZoomInfo?
Bought databases favour bigger companies and refresh on a lag, so a fifteen-person studio is usually absent, and when it is there the producer left two years ago. They also have no way to tell you that a film went live on Tuesday, which is the part that decides whether your message gets read.
Does BeReach only use public data?
Yes, every name comes from the open web: the studio's own posts, festival line-ups, job posts, public profiles. Nothing is bought from a list broker, which is why a ten-person shop having a busy year shows up here at all.
How does BeReach decide which video studios are worth my time?
You describe a good customer in a sentence: the formats they shoot, the crew size, the sectors they film for, what they have shipped lately. Each studio is graded against that with the reason written next to it, so you can disagree and move the bar.
Can BeReach message the producers it finds?
Yes, and that is the part a list will never do. Your agent drafts an opener naming the actual film or the actual festival, you approve it, and the reply comes back to your own LinkedIn inbox.
Can I search by format, city, or studio size?
Yes, in a sentence. Ask for a commercial studio in Los Angeles with about twenty people that just posted a brand film, and that is what comes back, with no filter panel and nothing to set up first.
How fast can I build a video studio prospect list?
About two minutes. Say which studios you want, and the list comes back with a named producer and the film or the crew call that put each one on it.
More on warm outreach.
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Write to the studio the week the film goes up.
Describe the studios you want as customers. Your agent brings back the producers behind this week's films and crew calls, drafts the first line, and the replies come to your own LinkedIn inbox.
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The rest of the free tools.
- Read a profilePaste a profile link, read it without signing in.
- Find peopleNames, roles and companies, by title and place.
- Find companiesCompanies by industry, size and place.
- Find postsPosts about your topic, from this week.
- Who liked a postEveryone who liked a post, with their role.
- Who commented on a postEveryone who commented, and what they said.
- Who is hiringOpen roles, so you reach a team with a budget.
- Who works at a companyPaste a company, get the people inside it.
- What someone posts aboutEverything a person or company published.
- Paste a search linkPaste any LinkedIn search URL, get the people.
- Export my contactsEveryone you are connected to, as a file you keep.
- Who LinkedIn suggestsThe people My Network picked for you, with the reason.
- What your volume is worthWhat your outreach volume is realistically worth.
- Describe who you wantPlain words in, real job titles and searches out.
- Who is my ideal customerReads your own site and works out who buys from you.
Still not sure BeReach is right for you?
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